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And true, it is a history lesson, in that the entire genre comes alive from the moment you push play. This doesn’t really do much to challenge the stereotype of Rites of Spring as something admired and revered and name-dropped more than it’s actually listened to in 2022.

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Feel free to skip to our selections from the past three years, and you’ll see that they’re pulling about the same numbers. “For Want Of” is their signature song and it’s 37 years old-it also has nearly 2.7 million streams on Spotify, about four times more than the band’s next-most streamed song and about 10 times more than just about everything else on their only album. Rites of Spring are widely credited as the originators of a pop culture movement powerful enough to merit a weeklong celebration here at The Ringer. After all, what’s more real emo than fiercely debating what that term really means. Use this as a map for a deeper dive, or hell, throw it in the recycle bin and create an entirely new alternate history based on your specifications.

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Play this in order and a span of years can flow seamlessly, only to have a jarring transition occur seconds later that’s just how it goes with a style of music in constant conversation with its past, each wave serving as a continuation or a course correction of what came before. The ultimate determinant of “importance” came down to how much a song had to say about where the genre was at and also where it was going. The inclusions on this list aren’t necessarily the best or most popular song from their respective year, though they often are one or both there was no intention of including one for the dilettantes and one for the real heads, though that often turned out to be the end result. Also, our modernist view of the genre’s sound and sentiment has grandfathered in artists that are more emo in their influence than their output. All of which is a testament to the ineffable yet unmistakable quintessence of emo-an underlying yearning for catharsis that transcends sonic parameters to inform nearly every possible form of media.Ī 38-song playlist (plus 38 alternates) can’t help but fall shy of being definitive or all-encompassing, and despite the luxuries that we’ve taken that enhance its inclusivity, artists can appear only once. Nearly every artist on this list has performed emo in protest, preferring to think of themselves as punk, hardcore, post-hardcore, post-punk, folk, pop, indie rock, electronic, or hip-hop. Perhaps the most fun and frustrating aspect of trying to develop any sort of coherent narrative of emo history is that the definition is almost entirely beholden to the fans rather than the people who actually make it.

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emotional hardcore and late ’90s screamo scene.” And that may be true about “real emo,” but real emo, well … that’s been an ongoing conversation for nearly 40 years. Grab your Telecasters and Manic Panic and join us in the Black Parade.Īs the saying goes, “Real emo only consists of the D.C.

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Welcome to Emo Week, where we’ll explore the scene’s roots, its evolution to the modern-day Fifth Wave, and some of the ephemera around the genre. In case you haven’t heard, emo is back, baby! In honor of its return to prominence-plus the 20th anniversary of the first MCR album-The Ringer is following Emo Wendy’s lead and tapping into that nostalgia. My Chemical Romance is touring again, Paramore and Jimmy Eat World are headlining a major festival this fall, and there’s a skinny, tattooed white dude with a guitar dominating the charts.








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